Saki is a remarkable satirist of British high society from the pre-World War I era. I have been laughing out loud at his accounts of characters and situations that can only emerge from a master story-teller's pen. There is hardly any comparison possible with P.G. Wodehouse who is a much gentler wit. Saki can draw blood with his humor. He made me feel attacked (a century after he first wrote these lines!) with these words "When [Sophie] inveighed eloquently against the evils of capitalism at drawing-room meetings and Fabian conferences she was conscious of a comfortable feeling that the system, with all its inequalities and iniquities, would probably last her time." (from the story titled 'The Byzantine Omelette'). As Noel Coward writes in his introduction, his style likely works only in the rigid social hierarchies of pre-WW England. The word 'aristocracy' does not quite trip off the tongue while discussing Saki's object because they are so richly satirized that they appear quite comic. Empire repeatedly features as a living, pulsing entity that the nobility feeds off and feels a proprietary pride over. The uncanny and horrifying likewise are a recurring character, like a reptile creeping through a lush surfeit of delicious fruit, like the sharp edge of a bejewelled rapier. All that being said (and I am only midway through the short stories), he is incredibly, laugh-out-loud funny and is easily the most irreverently entertaining British wit I have encountered.
personal reflections on books. review is too grand a term for this collection of thoughts on whatever i am reading currently.
Showing posts with label humour. Show all posts
Showing posts with label humour. Show all posts
Thursday, March 12, 2020
Friday, June 25, 2010
Book journaling 1
Have joined a new library site called Book and Borrow. And loving it!
Full Moon by P.G. Wodehouse
Blandings Castle will routinely have young people banished to the rural countryside for being in love with the wrong sort, wily attempts by these 'wrong sort' of lovers to get back together with their beloveds and a misadventure with the Empress, the pig-in-residence, not to mention 'hordes of wild aunts' - all profiled for the discerning reader by the finest craftsman of sentences known to mankind. Full Moon has all these and more.
The Aye Aye and I by Gerald Durrell
If you've read earlier books by Gerald Durrell, the most striking thing about this novel is the maturing of the 'green movement'. His first books were full of lonely struggles written about with excellent good humour and a great sense of timing. This one constantly refers to organisations and institutions that now fight the good fight to keep planet earth inhabitable for all its inhabitants. Possibly for that reason, the humour does not sparkle as much. The writer himself is aging and writes about the difficulties of old age with his trademark humour. But the thrill of adventure that animated earlier books, where many things hung on a thread, and that gave a sharper edge to the jokes, is missing.
The Mammoth Book of Best New Manga ed. by Ilya
If you're looking for an introduction to manga (like I was), this is not a good book to begin with. If you're looking for an extremely diverse collection of short stories, told in all sorts of innovative visual styles, this one is for you. This is a collection of artists across the world, using manga to tell various kinds of stories. I loved the diversity of it. Only the first story seemed to give me a feel for the the shape of the form. Then I lost myself in multiple stories. The switches between the styles of various artists/cartoonists/writers is extremely disconcerting. This is a true roller-coaster ride - the stories can turn your stomach, leave you in the middle of free fall and set you back on the ground wanting to do it again:)
Moonward by Appupen
Moonward is a dark, satirical, serious-funny story. An overwhelmingly visual tale. Nothing in this book is fiction. Nothing is real. A dystopia, so clearly shaped by the world we inhabit, that makes you wonder why we don't ask the questions this book asks. This book is a contained scream of rage. Which is also funny. The tale moves like a nightmare between what is real, could be real and might soon be real, between horror, fear and the desperate need for respite. It's savagely funny - holding up the skeletons of our lives for laughs, showing us the graphic realities of our times in gray, black and white. Highly recommended.
The Bartimaeus Trilogy
The first of a trilogy - but the other two books are sadly not available on Book and borrow:( The book sounds too much like Harry Potter in the earlier half but the similarities gradually dissolve. Nathaniel is a much more finely developed human-sounding character than Harry. For one, he literally shapes his own destiny. An act of vengeful spite turns into a nightmare of angry magic, death, conspiracies against the government and the development of a tense relationship between Nataniel and, the djinn he invokes, Bartimaeus.
Full Moon by P.G. Wodehouse
Blandings Castle will routinely have young people banished to the rural countryside for being in love with the wrong sort, wily attempts by these 'wrong sort' of lovers to get back together with their beloveds and a misadventure with the Empress, the pig-in-residence, not to mention 'hordes of wild aunts' - all profiled for the discerning reader by the finest craftsman of sentences known to mankind. Full Moon has all these and more.
The Aye Aye and I by Gerald Durrell
If you've read earlier books by Gerald Durrell, the most striking thing about this novel is the maturing of the 'green movement'. His first books were full of lonely struggles written about with excellent good humour and a great sense of timing. This one constantly refers to organisations and institutions that now fight the good fight to keep planet earth inhabitable for all its inhabitants. Possibly for that reason, the humour does not sparkle as much. The writer himself is aging and writes about the difficulties of old age with his trademark humour. But the thrill of adventure that animated earlier books, where many things hung on a thread, and that gave a sharper edge to the jokes, is missing.
The Mammoth Book of Best New Manga ed. by Ilya
If you're looking for an introduction to manga (like I was), this is not a good book to begin with. If you're looking for an extremely diverse collection of short stories, told in all sorts of innovative visual styles, this one is for you. This is a collection of artists across the world, using manga to tell various kinds of stories. I loved the diversity of it. Only the first story seemed to give me a feel for the the shape of the form. Then I lost myself in multiple stories. The switches between the styles of various artists/cartoonists/writers is extremely disconcerting. This is a true roller-coaster ride - the stories can turn your stomach, leave you in the middle of free fall and set you back on the ground wanting to do it again:)
Moonward by Appupen
Moonward is a dark, satirical, serious-funny story. An overwhelmingly visual tale. Nothing in this book is fiction. Nothing is real. A dystopia, so clearly shaped by the world we inhabit, that makes you wonder why we don't ask the questions this book asks. This book is a contained scream of rage. Which is also funny. The tale moves like a nightmare between what is real, could be real and might soon be real, between horror, fear and the desperate need for respite. It's savagely funny - holding up the skeletons of our lives for laughs, showing us the graphic realities of our times in gray, black and white. Highly recommended.
The Bartimaeus Trilogy
The first of a trilogy - but the other two books are sadly not available on Book and borrow:( The book sounds too much like Harry Potter in the earlier half but the similarities gradually dissolve. Nathaniel is a much more finely developed human-sounding character than Harry. For one, he literally shapes his own destiny. An act of vengeful spite turns into a nightmare of angry magic, death, conspiracies against the government and the development of a tense relationship between Nataniel and, the djinn he invokes, Bartimaeus.
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